BLAG #4
The BLAG #4 cover shows the Ghanaian sign painter Stoger working on a commission for a tattoo parlour in Australia in collaboration with Chicago's Deadly Prey Gallery. The gallery is profiled in one of BLAG #4's main features, which tells the story of a commercial artform that emerged alongside Ghana's mobile cinemas in the 1980s.
The BLAG #4 cover shows the Ghanaian sign painter Stoger working on a commission for a tattoo parlour in Australia in collaboration with Chicago's Deadly Prey Gallery. The gallery is profiled in one of BLAG #4's main features, which tells the story of a commercial artform that emerged alongside Ghana's mobile cinemas in the 1980s.
Description
The BLAG #4 cover shows the Ghanaian sign painter Stoger working on a commission for a tattoo parlour in Australia in collaboration with Chicago's Deadly Prey Gallery. The gallery is profiled in one of BLAG #4's main features, which tells the story of a commercial artform that emerged alongside Ghana's mobile cinemas in the 1980s.
